l ll lll llll lllll llllll lllllll llllllll lllllllll llllllllll lllllllllll llllllllllll lllllllllllll llllllllllllll lllllllllllllll llllllllllllllll lllllllllllllllll llllllllllllllllll lllllllllllllllllll llllllllllllllllllll
Pré-Amplis:
Universal Audio LA 610
Universal Audio 4-710
Revox C279 (6 Pré-amplis Studer)
SPL Goldmike
Triton Audio Fethead x2
Micros:
T47 x2 (Circuit Neumann KM84 adapté pour large membrane)
Violet Design (The Wedge)
Neumann KM184 x2
Oktava Mk-012 x2
Artur Fisher RM-5 x2 (Micros ruban)
Electrovoice RE20
Beyerdynamic M88 x2
Beyerdynamic M69N
Strässer M17N
Revox M3500
Shure SM57 x2
Shure SM58
Sennheiser e945
AKG D112
Acquisition:
RME Fireface 800 x 2 (20 convertisseurs)
Mac Pro 6 coeurs, 16 Go Ram
Logic Pro X
DI:
3 x Bumblebee Bb-D1
Palmer Pan 04
Boîte de Ré-amp L2A
Monitoring:
Focal Solo6 + Sub6
Casques Focal, AKG, Prodipe
Sono:
RCF (satellite+sub)
Périphériques:
Compresseur de bus GSSL
DBX 166 XL
Softube console 1
Mackie Control Universal pro
Plugins Softube, Waves...
Distortion Elektron analog Heat
Amplis:
Fender Blues
Cabine Leslie Farfisa
Claviers, Synthétiseurs:
Modulaire eurorack
Dave Smith Tetra
Boîte à rythme Elektron Digitakt
Elektron Analog Four
Sequential Prophet rev2
Korg MS 2000
Roland D50
Farfisa Super Bravo
Piano droit Rönisch